After attending the fantastic Chalkboard lettering class with Cora Pearl at Letters California Style in February, I was asked by Society for Calligraphy‘s Membership Chair, David Mark, to do a free demo for new members of the guild. Cora very generously and graciously let me share some of her teaching material with the new members!
One of the new members, Mila, was very kind to provide our classroom space. We expected maybe 10 people in the class, but ended up with a total of 14! I was super nervous as I’ve never done a demo/teaching session before, and really wanted everyone to have a great experience. Looking at how hard everyone was working and how fast a few hours flew by, I think it was pretty successful. Thanks David, and Society for Calligraphy for the opportunity, and huge thanks again to Cora for the guidance!
Last weekend, I spent the weekend in San Diego learning from Amity Parks! I was really sad to have missed the opportunity to learn from her last year, so I was glad that San Diego Fellow Calligraphers invited her to teach her workshop A Sharp Pencil and a Keen Eye, and they had an opening!
The last time I visited San Diego was in 2013 for Pat Blair’s Copperplate workshop, and I really enjoyed the experience. SDFC’s classroom space is big and open, and everyone was so kind and welcoming.
I attended a wonderful Society for Calligraphy workshop over the weekend – The Passionate Pointed Brush with Julie Wildman who was visiting us from Chicago! Julie has been working as a designer and artist for over 25 years.
The class took place on the campus of Cal State Long Beach. The classroom was nice and big, and we had so much room on big work tables!
My practice sheet, with name tag lettered by Julie
I have always loved the pointed brush. It’s definitely quite challenging because it is so different from using a steel nib. Julie shared some great exemplars with us, including her own, as well as work from pointed brush master calligraphers such as John Stevens, Yves Leterme, and Carl Rohrs. She also showed us letterform variations, such as the different ways to do each letter. I loved watching her do demo – she has such great control of the pointed brush and has such a light touch.
Disclaimer: Unlike many people, I’m not much of a traveler. Never have been. I’m mostly okay with road trips, but I really dislike flying where so many factors can throw things off, and everything is (literally) up in the air. To me, the “getting there” part is a huge hassle and a giant stress-inducer. And it’s worse when I’m without a travel companion.
But now I say: I will travel for calligraphy :-)
And this is where I found myself, a Southern California girl who had never experienced any temperature less than 40°F, in the middle of January, in the beautiful city of Chicago, where it was a balmy… 28°F. And now I can look back, smile and say: I went to Chicago to study with IAMPETH Master Penman Mike Kecseg for a weekend!
Ever since I was introduced to his Pointed Pen Variations (the exemplar is available in the Speedball Textbook), I’ve been wanting to learn from Mike himself. When an opportunity came up with the Chicago Calligraphy Collective, I just couldn’t pass up the chance. I joined the CCC and mailed in my check and registration form right on opening day back in September, and was lucky enough to get a seat!