Category Archives: The Learning Process

Roman Capitals with Alisara Tareekes

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Many calligraphers, whether seasoned or just starting out, will agree that Roman Capitals is one of the most beautiful yet difficult hands to master. Its beauty is in its simplicity of form and structure, yet understanding the form and structure and applying them skillfully can take years of mindful practice.

One of the mini classes offered at Letters California Style 2014, “Hacking Roman Capitals: Defeat the divine proportion and rule the flat brush” taught by Alisara Tareekes, explores a new way of learning Roman Capitals by using a special template that she has developed.

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Alisara started the class with a brief introduction of the history of Roman Capitals and also showed us a large sheet of rubbing from the Trajan’s Column (113 AD) where some of the finest examples of Roman Capitals were chiseled into its base. Alisara’s template consists of the same proportions, using die-cut straight and curved lines that make up all 26 alphabets. Each alphabet will be 6” tall. Using Alisara’s handout as a reference, we followed the template to lay down light pencil lines on a large sheet of rice paper. We then took a ¾” flat brush and followed the pencil lines to construct each letter in watercolor. Alisara recommended David Harris’ The Art of Calligraphy: A Practical Guide to the Skills and Techniques for its thorough yet concise brush-lettering instructions for each letter, and walked around giving each of us individual attention.

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The class concluded on a high note, with very nice Roman Capital samples we created to take home on a rice paper scroll! With Alisara’s wonderful template, Roman Capitals now seem a little less daunting and perhaps one day, I too will become a Roman (Capitals) conqueror.

[This class recap was published in the 2014 issue of Calligraph journal, published by the Society for Calligraphy.]

Blackletter: Textura to Fraktur

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Photo by my teacher

Re-posting the photo from my teacher. See how much fun we have in calligraphy class? :)

The last class of Blackletter was this week. I learned a lot and really enjoyed this age-old letterform! It took me a while to “warm up” to Gothic. I found Textura really difficult because it is so structured, but I incorporated it into a fun Halloween project. Once we started moving to Fraktur, I started to like Blackletter more and more. Around Thanksgiving, it began to feel more comfortable and I was able to see some progress.

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American Gothic

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I started a new calligraphy session in the Fall – Gothic/Blackletter. After working on pointed pen calligraphy all summer, getting back to the broad nib pen took some getting used to. We started with Textura which felt very structured, and of course, I didn’t like it at all. But after several weeks of keeping at it, I can finally say: I like Gothic! I just couldn’t get my writing to look as beautiful as I want it to be, but that’s something to work hard for.

Today I decided to have a bit of fun and made a garland for Halloween. After all, nothing’s more perfect for Halloween than the Gothic hand!

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Table Number Three

Table Number Sample

I had fun working on some samples for table numbers recently. I loved how the white ink looks on a slightly textured dark paper!

Table Number Sample

It looks sweet next to my kokeshi doll collection. I think this would make a great table centerpiece for a vintage-style, Asian-themed wedding!

Paper: Strathmore Art Paper
Ink: Dr. Ph. Martin’s Pen White
Nib: Brause EF66

I Hear A Song

I know quite a few people who prefer absolute silence when they work. I happen to like music when I work, and calligraphy is no exception. I listen to Spotify, Pandora. Last.fm, or my iTunes library, whatever strikes my fancy. Music is a big part of my life and I can’t imagine being without it! My husband and I have a substantial CD collection (3000+) that we’ve digitized, and we also have a small LP library thanks to our frequent visits to local flea markets and thrift stores.

Sometimes I’d stop what I’m doing and listen to the words and melody because they are just so wonderful. This song stopped me today and I had to put it on loop.

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Lovely words by Bill Callahan of Smog. Give it a listen.