Beth and Peter, November 2014

Photo courtesy of Beth O'Leary. Photo credit: Nicole Chan Photography

Photo courtesy of Beth O’Leary. Photo credit: Nicole Chan Photography

Today is the day after Thanksgiving, and I am so very thankful for amazing clients. I worked with Beth on her invitation envelopes and place cards for her November wedding. She was so sweet and thoughtful to share photos from her wedding with me this morning and totally made my day! The photos look so wonderful I couldn’t believe I was looking at my own work!

I used Schmincke’s Designer gouache in Gold Pearl on place cards from Paper Source, and Sumi ink on William Arthur envelopes lined with burgundy. Both written in Emily script.

Photo courtesy of Beth, photographer: Nicole Chan Photography

Photo courtesy of Beth, photographer: Nicole Chan Photography

Thank you again Beth for sharing photos with me – it was an honor to work with you!

Jessica and Nathan, July 2014

It was almost a year ago in November 2013, when I was contacted by Pamela to inquire about addressing envelopes for her daughter Jessica’s wedding. She wanted a casual script for the Save-the-Dates, and a formal style script for the wedding invites. Of course I was more than happy to work with Pamela and Jessica to add a personal touch to set the mood for a special day!

I documented the progress on Instagram as I went along.

The Save-The-Dates. A casual script, using custom-mixed gray gouache for a softer look.

The Save-The-Dates. A casual script, using custom-mixed gray gouache for a softer look.

The invites were addressed in a more formal and classy style, also in a soft gray.

The invites were addressed in a more formal and classy style, also in a soft gray.

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Print is Beautiful

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I am beyond thrilled to share the news that my work will be published in the upcoming issue of UPPERCASE Magazine!

From Janine Vangool, publisher / editor / designer of UPPERCASE:

Issue #23 contains a special calligraphy and lettering section featuring Seb Lester (our cover calligrapher), master penman Jake Weidmann and profiles of Joy Deneen, Maybelle Imasa-Stukuls, Erica McPhee, Barbara Calzolari, Neil Tasker, Pietro Piscitelli and Molly Jacques.

So very honored to contribute to this special issue which features so many of my calligraphy heroes. I have a small spotlight among other calligraphers who also submitted their work for this issue.

There’s a low res digital preview of issue 23 posted here. I also did some promo lettering for UPPERCASE which you can see in the video link above.

Be curious, be creative and be inspired – subscribe to UPPERCASE.

One Oval At A Time

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I’m getting ready for Master Penman Harvest Crittenden’s online Spencerian class starting in a few days.

I have to say although it may *look* easy, this oval drill is pretty tough. The goal, according to Master C.P. Zaner’s Lessons in Ornamental Penmanship, is to have all the ovals in uniform slant, height, and spacing.

Obviously I have a long way to go – but it can only get better from here!

Bee’s Knees

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I have been active on Instagram (IG) for the past two years or so, and in the past year I have made so many like-minded friends who are just as enthusiastic (if not more) as I am about calligraphy!

Heber is one of the calligraphers I met on IG. Not only is he an excellent calligrapher and designer, he is also a skilled artisan. He has been hard at work making adjustable flanges by hand. When he decided to share his work, I sent the above beloved penholders to him and he gave new life to them by adding adjustable flanges! Now I feel like I just got three new penholders.

Thank you Heebs, you’re the bee’s knees!

 

Roman Capitals with Alisara Tareekes

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Many calligraphers, whether seasoned or just starting out, will agree that Roman Capitals is one of the most beautiful yet difficult hands to master. Its beauty is in its simplicity of form and structure, yet understanding the form and structure and applying them skillfully can take years of mindful practice.

One of the mini classes offered at Letters California Style 2014, “Hacking Roman Capitals: Defeat the divine proportion and rule the flat brush” taught by Alisara Tareekes, explores a new way of learning Roman Capitals by using a special template that she has developed.

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Alisara started the class with a brief introduction of the history of Roman Capitals and also showed us a large sheet of rubbing from the Trajan’s Column (113 AD) where some of the finest examples of Roman Capitals were chiseled into its base. Alisara’s template consists of the same proportions, using die-cut straight and curved lines that make up all 26 alphabets. Each alphabet will be 6” tall. Using Alisara’s handout as a reference, we followed the template to lay down light pencil lines on a large sheet of rice paper. We then took a ¾” flat brush and followed the pencil lines to construct each letter in watercolor. Alisara recommended David Harris’ The Art of Calligraphy: A Practical Guide to the Skills and Techniques for its thorough yet concise brush-lettering instructions for each letter, and walked around giving each of us individual attention.

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The class concluded on a high note, with very nice Roman Capital samples we created to take home on a rice paper scroll! With Alisara’s wonderful template, Roman Capitals now seem a little less daunting and perhaps one day, I too will become a Roman (Capitals) conqueror.

[This class recap was published in the 2014 issue of Calligraph journal, published by the Society for Calligraphy.]

Waking Light

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Here I go being a music geek again. I’ve had Beck’s latest album Morning Phase for a while now, and it continues to blow me away with every listen from beginning to end. Do most people still listen to an album from start to finish?!

Waking Light” is the last track on the album and it’s just so beautiful and powerful that inspired me to write down the chorus.

Gold gouache on navy archival cardstock.

Typostrate Feature

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I got featured on Typostrate today! I follow them on Tumblr but had no idea they featured me until Chris sent me an email to let me know. Will somebody pinch me??

Thank you so much Typostrate for the feature – so happy to see calligraphy being highlighted as well as typography and lettering! Much much appreciated!